Friday, May 29, 2020

Nothing to do with Bathing

             The phone rang at about three-thirty at night a few months ago. Normally I turn it off when I go to sleep, or the many news notifications which come in the early morning with their numerous chirps and beeps wake me up before I’m ready. But I will say that on the few occasions I actually hear a call in the late to early hours, it’s something important. I rolled over and answered..
            “Hello,” I said groggily.
            “Hey, it’s Jimmy,” I heard whispered into the phone. I hadn’t heard from him in an age, probably six months or more.
            “Jimmy, how you doing man? Everything okay?”
            “Why you asking me if I’m all right or not?” he queried nervously.
            “Because it’s the middle of the night man. You out partying?”
            “I knew it!” he said, now very upset.
            I sighed. “What do you know?”
            “I knew you were in on it from the beginning. You son of a bitch, you were behind them all along. You set me up man. And now they’re all around me.”
            “Jimmy I have no idea what you’re talking about. Calm down and I’ll try to help you.”
            “Don’t you tell me to calm down you son of a bitch! We both know what you did so let’s stop pretending.”
            “Do me this one favor. Just tell me what it is I’m supposed to have done. And please be as specific as you can regarding times and dates, so I can completely understand.”
            I could hear his broken wheels turning in the silence which emanated from the other end.. The oscillations were uneven and creaky, the works ground wearily and sounded infested with sand.
            “You know I can’t do that, man. That’s just the thing. You know I can’t. But I know that everybody is against me, and all these forces that are coming down on my house right now, you’re definitely a part of it. That’s all I know.”
            “Jimmy, you’re high and this is way out there, even for you. I’m hanging up now.”
            The last thing I heard before I hung up was him screaming, “You’ll pay for this you motherfucker!” I immediately blocked the number he called from and tried to go back to sleep. It was no good though, and I got out of bed about an hour later and started my day, knowing I was up for a while, at least until I could nap. By noon I had forgotten the whole incident.

            Last week I got another call from a blocked number. It was Jimmy again, this time sounding as lucid as a college science professor. When I heard his voice I remembered for the first time our last discussion. I couldn’t help laughing out loud when I realized who it was.
            “We need to talk man,” he said soberly.
            “It’s your dime,” I replied.
            “Well, I’ve been in rehab for almost sixty days now and I’m working through my steps. I’m on step nine, which means I have to…”
            “I’m familiar with step nine,” I interrupted.
            “Yeah. Okay. Well then, you know that I have to apologize to those I hurt along the road of addiction. And I’m not even sure if I’m right or not, but I vaguely remember calling you and accusing you of all kinds of things that weren’t true. I might have even threatened you, I don’t know. I was going through a very stressful time.”
            “Well Jimmy,” I said, a little smugly. “I do remember that call. But it’s okay, old friend. You need say nothing more. There are no hard feelings.”
            Jimmy let out a hefty breath. “That’s good to hear. Thank you.”
            “If I may, would you mind my inquiring as to what drug you were on that night? I mean: I’ve gotta know. It was meth, right?”
            “Meth? Shit, I’ve stayed up two weeks on meth and never felt that way,” he replied. “No: I was on bath salts. Don’t ever do that shit. It makes you see demons everywhere you look.”
            “Isn’t that the shit the guy in Florida was on, when he was eating that homeless dude’s face?” I asked.
            “YES!” Jimmy replied. “And believe me, I thought about killing all kinds of people when I was fucked up on that stuff”
            “So you wouldn’t recommend trying it?” I asked.
            “Fuck no motherfucker! What have I been trying to tell you all this time?”

            I consider myself warned.

Monday, May 25, 2020

Unsung Victims of the Coronavirus

           We’ve all become inundated with stories of the myriad victims of the COVID-19 global pandemic. And without a doubt, there is nothing amusing about the millions of people who have contracted the Coronavirus, the hundreds of thousands who have died and the innumerable others who have lost their jobs and any semblance of financial security or stability.
            Now enter another sad player to the stage: drug cartels and their minions. It should come as no surprise to hear the news that the massive shutdowns in worldwide economic systems have made life much tougher for our friends in the drug trade.
            In the US particularly, lockdown orders have severely cut into the ability of illicit operators to ship and distribute their wares, launder their money and get their product across the southern border.
            According to Bill Bodner, special agent in charge of the Los Angeles DEA field office, Cartel “activities are a lot more apparent than they were three months ago.” He pointed out that California’s shelter in place order has made the movements and clandestine activities of the drug professionals more obvious and forced them to take greater risks to get their product on the street.
            Of course, this makes perfect sense. If there are less people driving and even walking around, those whose job it is to courier drugs and money from one place to another are going to become more exposed. In the words of Mr. Bodner, “When there’s less hay in the haystack, it’s easier to find the needle.”
            Due to breakdowns in distribution systems that include manufacturing centers and legitimate “front” businesses, drug peddlers nationwide have been forced to stockpile larger amounts of drugs and money, whereas during normal times they limit the amount of product or cash in any one location at any given time. This has led to larger seizures coast to coast.
            Not surprisingly, this “new normal” has led to a sharp uptick in prices from the top to the bottom of the trade. Bodner reports that the price for a pound of methamphetamine has risen in California from $1,000 to $2,000 a pound. Prices for cocaine, marijuana and heroin have also increased across the nation.
            I guess its true what I keep hearing on CNN. We really are all in this thing together. And nobody is immune from the ravages of COVID-19.

Thursday, May 21, 2020

Addict Recommends: (Film) Pale Flower (1964)


                I came across this film recently in the incomparable Turner Classic Movies on-demand library. I was familiar with the director Masahiro Shinoda through his film Silence, based on the novel by Shusako Endo. (Martin Scorsese also made a movie under the same title in 2016.) But I was completely unfamiliar with this film until I watched it. And man, was I glad that I did.
                Widely considered an outstanding example of the genre of international noir, Pale Flower is the story of Muraki, a Yakuza operative who has just been released from prison after a few years for the murder of a rival gang member. Returning to his roots, Muraki begins inhabiting his old world: the clandestine gambling halls, race tracks, pool halls, bowling alleys and bars of Tokyo. As a counterpoint to these seedy environs is Muraki’s young girlfriend Shinko, who has waited for him while he did his prison term.  She is pressuring him for a greater commitment and threatening to marry another pressing suitor. But Muraki’s interest has become greatly distracted by Saeko, a solitary, beautiful woman he met gambling. 
                Saeko convinces Muraki to bring her to a gambling den where she can play for higher stakes. Her compulsion urges her to wager larger and larger amounts to attain the high she desires. Muraki tries to watch over her and protect her from this world he understands all too well. But her true desire is to go further into addiction, to forget, to dig the hole ever deeper. When needle addict Yoh enters the scene, Saeko’s curiosity slowly attaches to him, with predictable results.
                Although the plot of Pale Flower is more than satisfactory to hold the viewer’s attention, what makes this film so compelling is its atmosphere: the sights, sounds and rituals of the illegal gambling dens, the dark, narrow alleys of the city which seem to press down on Muraki, the striking Saeko racing through the night with Muraki in her convertible and the brilliant musical score created by Toro Takemitsu. These are as much characters in the film as are the actors, and taken individually and as a whole they convey a feeling, an attitude of life on the edge.
                Although this is a space where one cannot long live, it is hard not to yearn to exist there if only for enough time to drink it all in.




Tuesday, May 19, 2020

Nothing to Brag About


            This one had me in stitches when I first heard about it in November of 2019. And since we’re playing catch up a little bit, I figured I ought to share it here.
The State of South Dakota paid a whopping $449,000 to a Minneapolis advertising firm for an anti-methamphetamine campaign which some buffoon decided should be titled, “Meth: I’m on It.” It features a number of solid-looking rural South Dakotans in film and photo shoots declaring that they are “on” meth. Obviously, it was meant to indicate that they are hip to the problem and are vigilant about solving the scourge of methamphetamine in their community. Just as obviously, they failed completely in their mission, but did succeed in making a joke out of an entire state. 
The question is not just: what idiot came up with this campaign, and how did they get hired by an advertising firm in the first place? But it’s also: 2) how did their coworkers and boss see this and think it was a good idea? AND 3) get the good people in state government in South Dakota to agree that, indeed, this was a thoughtful and intelligent message to get out to the people, instead of a prank on par with the average intelligence of a high school freshman?
Hey: we’ve all experimented. And yeah, I’ve used meth, speed, Adderall, mini thins, No-Doz and yellow biker crank in my day. But as the title of the article suggests: I certainly wouldn’t be bragging about it. (Or would I?) Well, I definitely would not be dropping half a million to do so. That's for sure. 

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Sunday, May 17, 2020

La Grange Angel Dust

            I had the two tickets to ZZ Top that midweek night and Alberto had the 1988 Mustang 5.0. He really was a good person and I had always liked him. But he was also the guy with the car, which meant he got taken advantage of by just about everybody who didn’t have an automobile. That’s pretty much how it went in those days. You’re a true and loyal friend: great. You’ve got a sweet ride: now we’re talking. And even though I was sixteen, almost seventeen, my parent’s had sagely disallowed me from the teenage cultural ritual of obtaining my drivers license. So it was Alberto and I, headed to the Cow Palace, a well aged, cavernous, unexceptional, multi-purpose venue. But to me it might as well have been the Royal Albert Hall.
            We took Mission Street through the City not because it was the fastest route but because he knew a liquor store that would sell us booze, no questions asked. He had done it a million times, he said. We pulled up in front of the store and I offered him five bucks.
            “Don’t worry about it man,” he said graciously. “You got the tix.”
            “Right on,” I replied.
            A few minutes later and he returned with a twelve pack of Bud and a fifth of peppermint Schnapps: more than enough for two youngsters out to catch a substantial buzz. We each cracked a beer in the car as we finished the last short portion of our journey.
On the way, we talked casually about adolescent nonsense, but in a way we did not usually. It was just the two of us, unencumbered by the usual pressure of the group. We could be ourselves. At that time, it was a moral failing of mine to be unduly influenced by the behavior, actions and opinions of others. Because they somewhat marginalized Alberto, so had I. But now, one on one, I was released from this pressure. Maybe he was as well. In any event, as the first beer settled in our stomachs we settled in with one another.
We obtained a good spot in the parking lot close to the exit and got out. It was about an hour before the opening act was going on, so we had plenty of time. We each took a big hit off the Schnapps, finished our first beer and cracked our second. Pretty soon we were both through four beers and the Schnapps had about two swigs left in it. We grabbed one more beer, leaving one each for when we got back, and headed toward the building.
            “Time to boogie,” Alberto declared.
Along the way I checked out the crowd. The first thing I noticed is how much older than us everybody was. Now, it wasn’t like the time I saw Dave Brubeck with my family at Davies Symphony Hall: that was an ancient crowd. But most of the people there were in their 30’s and 40’s, even a few in their 50s’. It was a rough and ready bunch, working class dudes in jeans with thick black moustaches, arm around their old lady’s waist, half-hippies smoking joints, long hairs from back in the day. There were a few cowboy types, complete with the Stetson hats, shit kicker boots and oversized belt buckles, chugging beers and grinning at one another while they sat on the tailgate of their Chevy truck. I even observed a few older African American guys, well dressed fellas wearing suits and ties as if they were going to the Met. I don’t know what kind of people I had expected to see, but the diversity of humanity somehow impressed me.
Music filled the air, and it reflected the variety of the crowd. The cowboys were playing Hank Williams Jr. A group of twenty-somethings was blasting Prince’s “1999.” I heard the high-pitched guitar wail of BB King from somewhere in the distance. Of course, I also noticed several tunes from the “Eliminator” album, which had almost inexplicably dominated the American music and music-video culture in the mid-1980’s. “Gimmie All Your Lovin’,” “Legs” and “Sharp Dressed Man”: I heard these tunes several times in the short period during which we traveled from the Mustang to the doors of the edifice.
Once inside, more music blared. The opening act had already begun. I had heard the name Jeff Healey before and I associated it with rock music. And I had never seen the movie Roadhouse, although it had been released about a year earlier. So I was surprised to see what I ultimately realized was a blind man hunched over a slide guitar doing things I had frankly never seen or heard before. I was transfixed on him, and he was the opener. It would have been enough for me if he were the front line act.
Time went by quickly. The whole scene consumed me: the blues-rock music, the multi-celled organism which was the growing crowd, the smell of marijuana in the air, the camaraderie and the novelty of it all. I felt reborn, fresh, new. I was aware of my own becoming. And I know how ridiculous that sounds, in such an essentially banal milieu. But that is how I felt at the time.
I lost track of Alberto. At some point he came and gave me a large beer in a plastic cup. I have no idea how he obtained it. He seemed to be doing all right on his own. As instantaneously as he had materialized, he disappeared. Jeff Healey finished his set to the mostly polite applause that opening acts generally receive.
I had been standing to stage right, on a raised portion of the seating area. But in the bowl of the stadium there was the general admission. I think the whole show was GA; this is how I remember all the shows I attended at the Cow Palace. I decided to descend onto the floor. Just as I did so, the band took the stage and the crowd roared as one. The power trio meandered about the stage for a moment, ostensibly checking wires and connections, but I believe their real reason was to prolong the anticipation. Whatever their intentions, that was the effect they had. And then, in a flash, the music hit us like a ton of bricks, loud and heavy, simple, raw and completely understood by the audience.
I wandered around on the floor, maybe eighty feet from the stage. Any closer and the crowd got really tight. I wasn’t interested in squeezing into that mass of humanity; I wanted to watch from a distance, to have the experience from a position just outside the molten core.
I don’t know how much time went by, but it was probably thirty minutes to an hour. The band began playing the song “Tush,” while a dozen or so bikini-clad beauties marched in a single file line across the stage. At this point, I noticed a small group of very tough looking bikers light up what could only be described in those days as a “pinner” joint. From what I could see, they were unaffiliated with any known motorcycle club, as they wore leather vests without any recognizable patches or insignia. But they were bikers for sure: straight off the set of the movie “Mask.”
The thing I noticed that seemed strange to me was that the joint they were smoking, in addition to being very thin, was also of a brownish hue, like a marshmallow after being properly turned over a campfire. I had never seen anything like it before. But what the fuck did I know, anyway?
The music drove through us like a massive power drill. The bikers rocked forward and backward. They were yelling to one another over the deafening sound. I heard one shout out: “These guys are bad to the bone.”
Indeed they were. I was amused at his comment as I stared at this outlaw slice of Americana in front of me with which I was, at that time, completely unfamiliar. As if he felt my gaze in the back of his head, one of the bikers, the one who had yelled out, turned and looked at me, the roach of the still burning joint in his right hand. He reached out and handed it to me, our forefingers and thumbs pinching together to make sure that the truncated baton was successfully passed. I hit the joint hard and coughed a little. It tasted funny. I offered it back to my host. He waved me off with his hand and gave me a big thumbs up. I hit it again.
A moment later I saw him give this knowing look to his cohorts. They began nodding and pointing in my direction. They were laughing, but it seemed good-natured enough and didn’t make me feel awkward or anything of the sort. I just thought they were getting a kick out of smoking-out a pretty square looking teen. I smiled back at them and left it at that.
It did not take long for me to realize that something was terribly wrong. The first thing I noticed was I could not feel my fingers. Just after this, the music lost all its definition and became a slowing pulsating “wah-wah” in my ears, oscillating between extreme volume and absolute, deep space silence. It was something like the sound which would accompany a beacon from a lighthouse as the light turned round, but more quickly than in real life. Anyway, this is how it seemed in my mind’s eye.
My field of vision began creeping in from both sides, little by little. In a minute or so it had narrowed to approximately fifty percent of what it was normally. A sickness welled up within me. I realized I had to escape the floor and began stumbling toward one of the gaping exits. I ran square into a stranger; he threw me aside violently. I continued my march toward the light, toward some semblance of openness. When I reached it I realized that nothing had been achieved. My vision was down to almost nothing, a mere slice of light, shadowy images of people passing. I was walking up the ramp toward the outer corridors. I reached the highest point in the ramp, which comprised the exit and thought maybe I was going to make a successful escape.
Suddenly I began careening downhill. I had lost all control of my body. It seemed I ran for an age, a Bizarro Sisyphus. I struggled to keep my feet beneath me until I hit a wall and crumbled to the ground.
I awoke on a thin mattress on a concrete floor. I could hear the music muffled through the walls, which was comforting. My hair was matted with sweat. A young woman, probably in her mid to late twenties, came over and looked down on me.
“Hello,” she said pleasantly.
“What is this place?” I asked.
“The Haight-Ashbury free clinic,” she responded. “We set up at all the concerts. Guys like you keep us awfully busy.”
“Oh,” I said, a little embarrassed. I noticed that she was quite pretty in a gaunt kind of way. But it was obvious she paid little attention to her looks, her chestnut hair was straight and tied in a ponytail and she wore no makeup. Also, she had that sunken countenance of the Vegan, a face that belied missing nutrients in her diet.
“What did you take?” she asked.
“I only had a little bit to drink,” I minimized. Oh: and I took like two hits off a joint that was passed to me.”
“Passed by whom?”
“I don’t know. Some guys I was standing next to.”
She shined one of those little flashlights into my eyes. “Your pupils are saucers. Looks to me like you may have smoked a chip.”
“Chip?” I asked. “What’s that?”
“That’s a joint laced with PCP. Angel dust.”
“Holy shit.”
“Yes,” she replied. “You need to be more careful who you use drugs with.”
She looked down at a pad of paper she was holding and wrote some notes. As she did so, I could hear the band tear into the opening licks to “La Grange.” I was suddenly filled with energy and jumped to my feet.
“What do you think you’re doing?” she asked incredulously.
“This is my favorite ZZ Top song!” I ran for the door. As I exited I heard her call after me.
“You’re not allowed to leave!”

I found Alberto wandering about on the floor after the lights came on and the crowd was thinning out.
“I was partying with two hot chicks,” he informed me. “They told me we could come over to their place afterwards but I lost track of them.” His eyes searched all around but to no avail. “Pretty great show, huh?”
“Fucking fantastic,” I replied.
“Hey you don’t look very good,” he said. “You’re so…pale.”
“Really?” I said nonchalantly. “Well, why don’t we get out of here.”
On our way home we stopped at McDonalds. I was not hungry. As Alberto ate his Quarter Pounder I gazed into the glow of the Golden Arches, mesmerized. They were shimmering like yellow, faceted diamonds in the night, so beautiful and grand as they rose from the filthy Earth into the cold, crystalline heavens above. Theirs was a guiding light for travelers near and far, I realized. A moment later I thought I heard them broadcasting something into my brain, some kind of essential, portentous message that was almost discernable and yet incomprehensible.
It was then I realized how high I was.




Saturday, May 16, 2020

Another Triumphant Return

In the words of Frank Zappa’s Central Scrutinizer: “Hey, its me…again.” The COVID-19 pandemic has given me some unasked for but valuable time to think and suddenly my mind came back to this project and you, my avid reading public. (All five of you.)

The truth is I need the outlet and it’s irrelevant who reads this. Somehow, by publishing it to the universe, no matter how buried it may be, I believe I will achieve some measure of satisfaction. And as I move on in life, it’s the little victories that I hope for.

I removed a couple sections herein, which I was dissatisfied with. But essentially the blog goes on, maintaining continuity with the prior format.

I’m really looking forward to the future, and presenting a robust offering of the kind of material that has made this so much fun in the past.